We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Repatriation​-​of​-​The​-​Midnight​-​Moors OAKANDA rmx​-​2

from Angels Over Oakanda ~ Digital Edition by Burnt Sugar The Arkestra Chamber

supported by
Bob Hill Illicit Grooves
Bob Hill Illicit Grooves thumbnail
Bob Hill Illicit Grooves This is absolute class, I love the whole feeling, mood and positivity and attitude in this track. Have already played it on The Illicit Grooves Radio Show and aim to playlist it again.
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $3.50 USD  or more

     

about

‘Repatriation of the Midnight Moors’ is a 12-minute Beat-and-Bass remix variation of the Oakanda suite produced, composed and arranged by longtime Burnt Sugar guest drummer and arrangement collaborator, Marque Gilmore tha’ Inna•Most.

Gilmore has a relationship with several Burnt Sugar members that goes back to the formative years as a founder-member of the Black Rock Coalition in 80s and 90s Gotham.

Brother Gilmore drew on discrete musical elements and thematic impulses of Angel’s long-form version to create a wholly original work — one which distills the artist’s deep history in Cambridge, as a teen in his father Marvin Gilmore’s reggae-centric club The Western Front where he met Jared Michael Nickerson, and then later in New York with the BRC-massive where he met Greg Tate. Gilmore and Tate also performing in a band together during those times … Women In Love.

Marque followed his NYC-days with a 14-year stint in London being a pioneering member of its Black Poetic and Drum’n’Bass communities from the mid- 90s (alongside such now well-known UK literary pillars as Roger Robinson and Malaika B), along with his journeyman tenure with Joe Zawinul in the post-millennial oughts, through to his decade of contributions to the touring ensemble and Grammy nominations for his production work with Cuban pianist Omar Sosa.

About ‘Repatriations’ Gilmore has this to say: I am truly humbled and honored each and every time I am invited as a guest artist with Burnt Sugar, and even with my Acousti-Lectric drum-arrangement infusions, I have YET to hold that Dang-Blessed BATON! So, I created a full-length remix suite entitled: “The Reconstru-Ducted Repatriation Road-Rage ReMiXeS” – Based on my Live-Remix production style (preserving an artist’s live performances and ensemble instrumentation), I basically re-conducted the entire Oakanda affair digitally and created the beat-structures and harmonic production utilizing the combined sciences of Archeo-Astronomy and ancient Sumerian time-keeping (hence, the 12-minute remix of ‘Midnight Moors’) connected to Vibez on the long road ahead in The Struggle with contemporary BLM-based activist thought in the titles and text. Thank You, BSAC!

‘Repatriation’ is also remix #2 extracted from a 5-track, 41-minute ReMiX MiXTaPe Suite of its own to be released early next year.

credits

from Angels Over Oakanda ~ Digital Edition, released September 23, 2021
Track Composition and ReMiX Production: Marque Gilmore tha' Inna•Most
Bubble Bass-Hook: Jared Michael Nickerson
Melodic Hook 1: Satch Hoyt - Flute
Horn-Hook 2: “Moist” Paula Henderson - Bari Sax ~  V. Jeffrey Smith - Tenor Sax ~ Avram Fefer - Alto Sax
Horn Improvs: “Moist” Paula Henderson - Bari Sax ~  V. Jeffrey Smith - Tenor Sax ~ Avram Fefer - Alto Sax
Bari-Loop Sample: “Moist” Paula Henderson
Rhodes Parts (x2): Leon Gruenbaum
FLUTE SOLO(s):  Satch Hoyt (Part one & Two)
Melodic Hook 2:  Satch Hoyt 
Melodic Hook 3:  Satch Hoyt 
Percussion Samples: Shelley Nicole ~ Greg Gonzalez ~ Jared Michael Nickerson
Outro Flute Sample: Satch Hoyt

license

all rights reserved

tags

about

Burnt Sugar The Arkestra Chamber New York, New York

BURNT SUGAR is a neo-tribal thang, aspiring to the condition of all that is molten, glacial, spacial, telepathic.
''A multiracial jam army that freestyles with cool telekinesis between the lustrous menace of Miles Davis’ On The Corner, the slash-and-om of 1970s King Crimson, and Jimi Hendrix’ moonwalk across side three of Electric Ladyland.”- David Fricke, Rolling Stone.
... more

contact / help

Contact Burnt Sugar The Arkestra Chamber

Streaming and
Download help

Redeem code

Report this track or account

If you like Burnt Sugar The Arkestra Chamber, you may also like: